Split-based points from the Swabian Jura highlight Aurignacian regional signatures

PLoS One. 2020 Nov 10;15(11):e0239865. doi: 10.1371/journal.pone.0239865. eCollection 2020.

Abstract

The systematic use of antlers and other osseous materials by modern humans marks a set of cultural and technological innovations in the early Upper Paleolithic, as is seen most clearly in the Aurignacian. Split-based points, which are one of the most common osseous tools, are present throughout most regions where the Aurignacian is documented. Using results from recent and ongoing excavations at Geißenklösterle, Hohle Fels and Vogelherd, we nearly tripled the sample of split-based points from 31 to 87 specimens, and thereby enhance our understanding of the technological economy surrounding the production of osseous tools. Aurignacian people of the Swabian Jura typically left spit-based points at sites that appear to be base camps rich with numerous examples of personal ornaments, figurative art, symbolic imagery, and musical instruments. The artifact assemblages from SW Germany highlight a production sequence that resembles that of SW France and Cantabria, except for the absence of tongued pieces. Our study documents the life histories of osseous tools and demonstrates templates for manufacture, use, recycling, and discard of these archetypal artifacts from the Aurignacian. The study also underlines the diversified repertoire of modern humans in cultural and technological realms highlighting their adaptive capabilities.

Publication types

  • Historical Article
  • Research Support, Non-U.S. Gov't

MeSH terms

  • Animals
  • Antlers / anatomy & histology*
  • Archaeology
  • Cultural Characteristics
  • Fossils / anatomy & histology*
  • Germany
  • History, Ancient
  • Human Activities / history*
  • Humans

Grants and funding

Our research is financially supported by the Deutsche Forschungsgemeinschaft (DFG) through the Sonderforschungsbereich (CRC) 1070 ResourceCultures, University of Tübingen. Excavations was made possible through funding from organizations including Ministerium für Wissenschaft Forschung und Kunst (MWK) Baden-Württemberg, ROCEEH, Landesamt für Denkmalpflege Baden-Württemberg, Alb-Donau-Kreis, Förderverein Eiszeitkunst im Lonetal and the University of Tübingen. The authors also acknowledge support from the Open Access Publishing Fund of the University of Tübingen.