In this article, we discuss the inextricable entanglement of public health and political revolution, and why comics is a particularly amenable medium to explore how different people come to terms with illness and mortality against the backdrop of political, economic, and environmental crises. We discuss our process in creating a sequential comic narrative, Lissa, that portrays a working-class Egyptian family, informed by hundreds of interviews and ethnographic research in Egypt on the vulnerabilities that expose people to kidney and liver disease and the difficulties of accessing proper treatment. Lissa also draws on ethnographic research and interviews in the U.S. on a seemingly unrelated topic - the social and political calculus of managing genetic risk for breast and ovarian cancer within a commercial healthcare system. We draw out the similarities in bioethical dilemmas between these two disparate clinical realities by composing an unlikely friendship between two fictional characters: Anna, the daughter of an American oil company executive living in Cairo, who has a family history of breast cancer - and Layla, the daughter of the porter of Anna's apartment building, who grows to become a resolute physician struggling for better public health justice and rights in Egypt.
Keywords: Arab spring; Comics; Egypt; genetic breast cancer; kidney disease.